 |  |
 |
Dec 14, 2011, 11:51 PM
|
#1
|
Wild Honey Pie
Join Date: Jun 29, 2008
Location: Somewhere in England
Posts: 576
|
Hard Day's Night Opening chord.... again
__________________
"The computer can't tell you the emotional story. It can give you the exact mathematical design, but what's missing is the eyebrows " ~ Frank Zappa
|
|
|
Jan 23, 2012, 10:11 AM
|
#2
|
Wild Honey Pie
Join Date: Dec 29, 2011
Location: Holding the ladder under the bathroom window
Posts: 533
|
Listening to THE master tapes!
I suppose all those trying to figure it out all these years should just nod their head in the general direction of this fellow and move on?
__________________
"And they's no ree-shee bobbly blue gee goo...."
|
|
|
Jan 31, 2012, 02:22 PM
|
#3
|
Moderator
Join Date: Feb 11, 2005
Location: Beautiful Downtown Burbank, CA
Posts: 6,043
|
I figured the chord out decades ago when I was first learning to play guitar. It's just a form of a "D" chord with "G", etc. included. LOL!
That's how I've always refer to chords: "Play the "Hard Day's Night D"..... it's the "Love Me Two Times E"..... etc.
I have read where George said it was/is an "F add 9" chord... which I suppose is the final fade-out chord. But the chord I've always used is a "D7 add G" (or whatever it's really called). If it's an "F"-rooted chord, as George said is was, there's a bass "D" in there.
That's the thing about these chords. One person may have played a particular chord on guitar - in this case, electric 12-string.... while someone else played a different chord on piano... and maybe another on acoustic guitar....
Case in point: the final chord on "No Reply". That chord can not be played with five fingers on one guitar neck. You can give it a good shot, but there WILL be something missing from the recorded chord.
Last edited by 62hofner : Feb 01, 2012 at 04:10 PM.
|
|
|
Jun 23, 2012, 12:14 PM
|
#4
|
Fool On The Hill
Join Date: Jun 21, 2012
Posts: 46
|
My belief is that the opening chord is determined by its resolution. Where does it go from there? It goes back to the root of the key of G. With someone (Paul?) playing that high D note, I still hear this as a D7 added G/suspended. But with two guitars and a bass adding various inversion, its possible George played an F add G, which would throw in an F note, rendering it to a combo Dminor7 +D7 suspended G.
Slipping to that high invert F to finish out the song is a simple "step down" out of the key. Very common thing to do to end a song (IMO)
Last edited by oldkat : Jun 23, 2012 at 12:15 PM.
|
|
|
Jun 24, 2012, 05:19 AM
|
#5
|
Moderator
Join Date: Oct 05, 2000
Location: London
Posts: 9,749
|
interesting.
__________________
=^..^=
|
|
|
Aug 27, 2014, 11:26 AM
|
#6
|
Dr. Robert
Join Date: Apr 24, 2011
Posts: 1,306
|
I barre a gm7. and simply add the c note on the 3rd string 5th fret w the pinky.
|
|
|
Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
|
|
Thread Tools |
|
Display Modes |
Linear Mode
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
All times are GMT -8. The time now is 04:09 AM.
| |
 |  |
|
 |
 |
|
 |
 |
|
 |
The costs of running our database and discussion forum are steadily rising. Any help we receive is greatly appreciated. Click HERE for more information about donating to BeatleLinks. |
|
 |
|
|
|
|