I am the Paulrus
Aug 20, 2006, 08:48 AM
Memphis leaders gave Beatles icy reception
Audiences for shows had different reaction
By JOHN BEIFUSS
The (Memphis) Commercial Appeal
Sunday, August 20, 2006
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John Lennon, Ringo Starr, Paul McCartney and George Harrison arrive in Memphis in 1966 to give two performances at Mid-South Coliseum. (FILE / ROBERT WILLIAMS /THE COMMERCIAL APPEAL)
MEMPHIS — It was 40 years ago Saturday, and the city of Memphis didn't want the band to play.
At least that was the official stance the mayor and Board of Commissioners took in a unanimous resolution passed Aug. 10, 1966, to express "official disapproval" and "advise the Beatles that they are not welcome in the City of Memphis."
The Blue Meanies didn't stand a chance. On Aug. 19, 1966, Britain's Beatles — Paul McCartney, Ringo Starr, George Harrison and John Lennon — performed two concerts at the Mid-South Coliseum,
at 4 and 8:30 p.m. Tickets were $5.50.
The Memphis date was the eighth in a 14-city tour that would be the last ever for the band that remains the most influential in rock history.
For each Memphis show, the Beatles performed 11 songs in about 28 minutes, after almost two hours of music from an interesting roster of opening acts: the Ronettes; Boston garage greats the Remains; Pennsylvania bubblegum popsters the Cyrkle ("Red Rubber Ball"); and Nashville R&B singer Bobby Hebb ("Sunny").
The first show attracted 7,589 fans; the second, 12,539. Disc jockeys George Klein and Johnny Dark acted as masters of ceremonies.
When the Beatles took the stage, "It kind of reminded me of the movie 'King Kong' when all the flashbulbs started going off," Dark later remembered. "There were so many flashbulbs it was almost like a strobe light."
Onstage, the Beatles — wearing "modish dull/gray suits" in the afternoon and "dark green creations with chartreuse shirts" at night, according to the local newspaper — exchanged such familiar hits as "I Want to Hold Your Hand" and "A Hard Day's Night" for mostly newer material.
The songs performed in Memphis apparently were "Rock and Roll Music," "She's a Woman," "If I Needed Someone," "Day Tripper," "Baby's in Black," "I Feel Fine," "Yesterday," "I Wanna Be Your Man," "Nowhere Man," "Paperback Writer" and "Long Tall Sally."
The Commercial Appeal reported in a front-page story the next morning: "The musical performance of the long-haired Englishmen was hard to judge as the shrieks and screams of the paying guests almost drowned them out."
During a between-shows press conference, McCartney noted that "little things, like money" had prevented the Beatles from recording what would become the album Revolver at Stax in Memphis.
Lennon said the Beatles' admiration for the guitar playing of Steve Cropper was one of the reasons they wanted to record here. However, Atlantic Vice President Gerald Wexler told The Commercial Appeal that Beatles manager Brian Epstein canceled tentative plans for a two-week studio session at Stax because "he was not pleased with the security and housing plans he found during a one-day visit to Memphis."
The anti-Beatles resolution, which described Memphis as "a City of Churches," was inspired by Lennon's then much-publicized remark that the Beatles were "more popular than Jesus now. ... I don't know which will go first, rock and roll or Christianity."
In the days leading to the Memphis shows, The Commercial Appeal reported on several "Beatle burnings" in reaction to Lennon — protest rallies in which Beatles records were broken and burned ("Foot in Moptop's Mouth Is Hot One," stated a headline).
Eighty police officers worked the show. "I've never had so much security at an event, even Bob Hope," promoter Early Maxwell said.
Audiences for shows had different reaction
By JOHN BEIFUSS
The (Memphis) Commercial Appeal
Sunday, August 20, 2006
http://tennessean.com/apps/pbcs.dll/article?AID=/20060820/NEWS01/608200359
http://www.imagestation.com/picture/sraid212/p62bb9821a85fdb475d224088fd3a5d43/ed68a925.jpg
John Lennon, Ringo Starr, Paul McCartney and George Harrison arrive in Memphis in 1966 to give two performances at Mid-South Coliseum. (FILE / ROBERT WILLIAMS /THE COMMERCIAL APPEAL)
MEMPHIS — It was 40 years ago Saturday, and the city of Memphis didn't want the band to play.
At least that was the official stance the mayor and Board of Commissioners took in a unanimous resolution passed Aug. 10, 1966, to express "official disapproval" and "advise the Beatles that they are not welcome in the City of Memphis."
The Blue Meanies didn't stand a chance. On Aug. 19, 1966, Britain's Beatles — Paul McCartney, Ringo Starr, George Harrison and John Lennon — performed two concerts at the Mid-South Coliseum,
at 4 and 8:30 p.m. Tickets were $5.50.
The Memphis date was the eighth in a 14-city tour that would be the last ever for the band that remains the most influential in rock history.
For each Memphis show, the Beatles performed 11 songs in about 28 minutes, after almost two hours of music from an interesting roster of opening acts: the Ronettes; Boston garage greats the Remains; Pennsylvania bubblegum popsters the Cyrkle ("Red Rubber Ball"); and Nashville R&B singer Bobby Hebb ("Sunny").
The first show attracted 7,589 fans; the second, 12,539. Disc jockeys George Klein and Johnny Dark acted as masters of ceremonies.
When the Beatles took the stage, "It kind of reminded me of the movie 'King Kong' when all the flashbulbs started going off," Dark later remembered. "There were so many flashbulbs it was almost like a strobe light."
Onstage, the Beatles — wearing "modish dull/gray suits" in the afternoon and "dark green creations with chartreuse shirts" at night, according to the local newspaper — exchanged such familiar hits as "I Want to Hold Your Hand" and "A Hard Day's Night" for mostly newer material.
The songs performed in Memphis apparently were "Rock and Roll Music," "She's a Woman," "If I Needed Someone," "Day Tripper," "Baby's in Black," "I Feel Fine," "Yesterday," "I Wanna Be Your Man," "Nowhere Man," "Paperback Writer" and "Long Tall Sally."
The Commercial Appeal reported in a front-page story the next morning: "The musical performance of the long-haired Englishmen was hard to judge as the shrieks and screams of the paying guests almost drowned them out."
During a between-shows press conference, McCartney noted that "little things, like money" had prevented the Beatles from recording what would become the album Revolver at Stax in Memphis.
Lennon said the Beatles' admiration for the guitar playing of Steve Cropper was one of the reasons they wanted to record here. However, Atlantic Vice President Gerald Wexler told The Commercial Appeal that Beatles manager Brian Epstein canceled tentative plans for a two-week studio session at Stax because "he was not pleased with the security and housing plans he found during a one-day visit to Memphis."
The anti-Beatles resolution, which described Memphis as "a City of Churches," was inspired by Lennon's then much-publicized remark that the Beatles were "more popular than Jesus now. ... I don't know which will go first, rock and roll or Christianity."
In the days leading to the Memphis shows, The Commercial Appeal reported on several "Beatle burnings" in reaction to Lennon — protest rallies in which Beatles records were broken and burned ("Foot in Moptop's Mouth Is Hot One," stated a headline).
Eighty police officers worked the show. "I've never had so much security at an event, even Bob Hope," promoter Early Maxwell said.